publications

publications by categories in reversed chronological order. generated by jekyll-scholar.

2025

  1. Scenophony: An undisciplinary approach to the design of immersive sound storytelling
    D. Ledoux, E. A. L. Meneses, and P. Baltazar
    Convergence, 2025
    DOI
  2. Real-Time Interactive Graphics on Embedded Systems with ossia score, Puara, and Raspberry Pi
    M. Bolduc, J. Celerier, and E. A. L. Meneses
    In Proc. of the Special Interest Group on Computer Graphics and Interactive Techniques Conference Labs (SIGGRAPH Labs), 2025
    DOI
  3. Reducing technical requirements for remote collaboration of audiences and performers
    M. Bolduc, A. Marin, S. Chioini, M. Boucher, and E. A. L. Meneses
    In International Symposium on Electronic/Emerging Art (ISEA), 2025
  4. The Société des Arts Technologiques (SAT): A Pioneer in Digital Art and Immersive Experiences
    E. A. L. Meneses, M. Bennacer, and V. Paradis
    In International Symposium on Electronic/Emerging Art (ISEA), 2025
  5. PATRICIA: proof-of-concept implementation and validation of a real-time singing synthesizer
    L. A. Z. Brum, E. A. L. Meneses, and E. D. Moreno
    In Simpósio Brasileiro De Computação Musical (SBCM), 2025

2024

  1. La téléprésence scénique : un nouveau médium artistique pour connecter les scènes et les publics
    C. Paillon and E. A. L. Meneses
    In Journées d’Informatique Théâtrale (JIT), 2024
  2. An IoT toolbox for media arts
    S. Al-Mamoun, P. Baltazar, C. Bicari, M. Blottière, J. Celerier, R. Fardon, O. Gauthier, E. A. L. Meneses, Maggie Needham, and G. Riou
    In Proc. 7th Conference on Cloud and Internet of Things (CIoT), 2024

2023

  1. Sketching Pipelines for Ephemeral Immersive Spaces
    Michał Seta, E. A. L. Meneses, E. Durand, and C. Frisson
    In Special Interest Group on Computer Graphics and Interactive Techniques (ACM-SIGGRAPH), 2023
  2. PATRICIA: a real-time singing synthesizer prototype for the Brazilian Portuguese language
    L. A. Z. Brum, E. A. L. Meneses, and E. D. M. Ordonez
    In International Computer Music Conference (ICMC), 2023
  3. The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs
    E. A. L. Meneses, T. Piquet, J. Noble, and M. M. Wanderley
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2023
  4. Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework
    B. Boettcher, E. A. L. Meneses, C Frisson, M. M. Wanderley, and J. Malloch
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2023

2022

  1. Iterative design in DMIs and AMIs: expanding and embedding a high-level gesture vocabulary for T-Stick and GuitarAMI
    Eduardo A. L. Meneses
    McGill University, 2022

2021

  1. The IDMIL Digital Audio Workbench: An Interactive Online Application for Teaching Digital Audio Concepts
    M. M. Wanderley, T. West, J. Rohs, E. A. L. Meneses, and C. Frisson
    In Proceedings of the 16th International Audio Mostly Conference, 2021
  2. The T-Stick Music Creation Project: An approach to building a creative community around a DMI
    Takuto Fukuda, Eduardo A. L. Meneses, Travis West, and Marcelo Wanderley
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2021
  3. Documentation and Replicability in the NIME Community
    Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, and Marcelo M. Wanderley
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2021

2020

  1. Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments
    Eduardo A. L. Meneses, Takuto Fukuda, and Marcelo M. Wanderley
    In Proc. 22nd International Conference on Human-Computer Interaction (HCII), 2020
  2. The Scalability of WiFi for Mobile Embedded Sensor Interfaces
    Johnty Wang, Eduardo A. L. Meneses, and Marcelo M. Wanderley
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2020
  3. Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments
    Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo A. L. Meneses, and Marcelo M. Wanderley
    In Proc. 22nd International Conference on Human-Computer Interaction (HCII), 2020
  4. Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes
    Filipe Calegario, Marcelo M. Wanderley, João Tragtenberg, Johnty Wang, John Sullivan, and Eduardo A. L. Meneses
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2020
  5. Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures
    Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, and Marcelo M. Wanderley
    Sensors, 2020

2019

  1. A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation
    Eduardo A. L. Meneses, Johnty Wang, Sérgio Freire, and Marcelo Wanderley
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2019

2018

  1. GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects
    Eduardo A. L. Meneses, Sérgio Freire, and Marcelo M. Wanderley
    In Proc. International Conference on New Interfaces for Musical Expression (NIME), 2018

2017

  1. New Developments on the Augmentation of a Classical Guitar: Addition of Embedded Sound Synthesis and OSC Communication Over Network
    Eduardo A. L. Meneses and Marcelo M. Wanderley
    In Proc. 16th Brazilian Symposium on Computer Music (SBCM), 2017

2016

  1. GuitarAMI: Desenvolvimento, Implementação e Performance de um Instrumento Musical Aumentado
    Eduardo A. L. Meneses, José Fornari, and Marcelo M. Wanderley
    In Proc. 14th AES-Brasil Audio Engineering Congress, 2016
  2. GuitarAMI: desenvolvimento, implementação e performance de um instrumento musical aumentado que explora possibilidades de modificação de características intrínsecas do violão.
    Eduardo A. L. Meneses
    Universidade Estadual de Campinas (UNICAMP), 2016

2015

  1. Projeto e Construção de uma Interface Gestual para Improvisação Livre
    Eduardo A. L. Meneses, José Fornari, and Marcelo M. Wanderley
    In Proc. 13rd AES-Brasil Audio Engineering Congress, 2015
  2. A Study with Hyperinstruments in Free Musical Improvisation
    Eduardo A. L. Meneses, José Fornari, and Marcelo M. Wanderley
    In Proc. XI Simpósio Internacional de Cognição e Artes Musicais, 2015
  3. Educação musical através da improvisação livre com recursos computacionais: contribuições e desafios
    Eduardo A. L. Meneses and José Fornari
    In Proc. XXV Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), 2015
  4. GuitarAMI: um Instrumento Musical Aumentado que Transpõe Restrições Intrı́nsecas do Violão
    Eduardo A. L. Meneses and José Fornari
    In Proc. 15th Brazilian Symposium on Computer Music (SBCM), 2015
  5. Integra Live Como Interface Visual Do Pure Data Para Sı́ntese e Manipulação Sonora Em Performances Musicais Eletroacústicas
    Eduardo A. L. Meneses
    Revista Sonora, 2015